viewing / thinking

When a painting is removed from its stretcher-frame relationships are not merely ‘made beyond’ but ‘brought into’ the work. Vivian Suter’s painted gestures draw in the world like a breath, a more poignant reference to Panajachel’s rainforest than the walk taken under its imagined canopy

Vivian Suter Tintin’s Sofa Camden Arts Centre (London) January 17 – April 5, 2020 

John Ruppert Lab: Empirical Evidence

John Ruppert Lab: Empirical Evidence (postscript)

Shannon Collis and Liz Donadio Singular Space

Natasha Rosling Chamber

Brook and Black / Christina Bredahl Duelund and Natascha Thiara Rydvald Arkitektoniske Kramper