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Para(meter) 2016
six lathe cut 12” transparent vinyls with cyanotype printed covers on a turntable of European sea crates

The audio playback abstracts into a kind of white noise which, when played through Fisher’s chosen medium – vinyl record – sets the viewer onto a contemplative journey where the record’s eternal cycle puts one in mind of Fisher’s own trundle-wheel traversal along the shore, and after a while the rotation of Earth itself.” (Trevor H. Smith this is tomorrow published 29 Sept 2016)

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